Full Met­al Mag­ic: An Urban Fan­ta­sy Anthol­o­gy of Mag­ic, May­hem, and the Para­nor­mal by J.A. Cipri­ano
My rat­ing: 3 of 5 stars

I was clued in to this anthol­o­gy by a men­tion in J.A. Cipri­ano’s newslet­ter, which is worth sub­scrib­ing to (hey, the man sends you free reads, and they’re good!). Any­way, Cipri­ano and com­pa­ny are all dark urban fan­ta­sy authors who have writ­ten these sto­ries specif­i­cal­ly for this vol­ume, so you won’t find them any­where else. The book is avail­able via the Kin­dle Unlim­it­ed pro­gram. In fact, every relat­ed book that I checked on is avail­able that way, so I’m won­der­ing if this thing was spon­sored by Ama­zon or some­thing. If so, why does­n’t it say so? Any­way, on to the review.

“The Bull Demon King” is Cipri­ano’s sto­ry, set in the Thrice-Cursed Mage uni­verse. You don’t need to have read those books to appre­ci­ate the sto­ry, and it serves as a nice lit­tle intro­duc­tion if you’re curi­ous about the series (I’ve real­ly enjoyed them). I think the sto­ry is set between the sec­ond and third books, but I won’t swear to that and it isn’t vital. We get to attend the Texas state fair with assas­sin mage Mac Bren­nan and his girl­friend Ricky, the local alpha were­wolf. Of course, may­hem ensues, because that’s Mac’s lot in life — and what kind of sto­ry would we have oth­er­wise?

Domi­no Finn con­tributes “The Black Door” which is not­ed as “A Black Mag­ic Out­law Sto­ry.” This sto­ry had me guess­ing right up until the end, which was delight­ful. The writ­ing is won­der­ful, the world of an alter­nate mag­i­cal Mia­mi nightlife is very ful­ly real­ized, and cen­tral char­ac­ter, Cis­co Suarez, is extreme­ly well drawn. I will be point­ing my part­ner to Finn’s work, for sure (he loves the macabre), but I think it may be a lit­tle too dark for me.

On to Man­hat­tan for our next piece, “Dance of the Dead,” which Sonya Bate­man tells us is a “Death­s­peak­er Codex Short Sto­ry.” It takes place just after the events of the first nov­el in that series, accord­ing to the author’ note. Gideon Black dri­ves bod­ies from crime scenes and the like to the morgue. Appar­ent­ly he’s not 100% human, and he’s just learned that he can speak to the dead. That’s very impor­tant to the plot. For some rea­son this sto­ry did­n’t grab me. I don’t relate well to sto­ries that deal with the dead, like zom­bies and so on, so it’s prob­a­bly a fail­ure of imag­i­na­tion on my fault rather than any­thing wrong with Bate­man’s sto­ry. If I find some­thing she writes in anoth­er set­ting, I will give her anoth­er go.

Ambrose Ibsen offers up “Hard Row: A Demon-Heart­ed Sto­ry” for the col­lec­tion. Lucian Colt works with oth­er spe­cial enforcers to keep the threats from Beyond from encroach­ing on the mun­dane world of Detroit, and when he learns that there’s a ship­ment of kid­napped chil­dren being moved, he’s def­i­nite­ly down for track­ing down the bad guys behind the trade. The fall­en angel whose heart he car­ries is just glad to get a chance to throw down. The gim­mick does­n’t real­ly car­ry the sto­ry here. It feels like Colt is too over­pow­ered in com­par­i­son to his allies, as if they are a mis­matched RPG par­ty.

Okay, I’ll admit it: Al K. Line’s name just annoyed me. So I had to get past that to give “Angry Spark,” set in his Dark Mag­ic Enforcer world, a fair read­ing. Then the use name of the main char­ac­ter, “Black Spark,” hit me wrong. The guy’s real name is Faz Pound, but obvi­ous­ly mag­ic men don’t go about giv­ing their real names to all and sundry, hence the use name. Then I did­n’t like the remarks about a cor­pu­lent char­ac­ter. So I final­ly just decid­ed to leave off on this sto­ry. Maybe some­one else can give you a review of it.

Rob Cor­nell’s “Fam­i­ly Busi­ness,” which is appar­ent­ly a pre­quel set in his Unturned series’ uni­verse, is set in anoth­er alter­nate Detroit. For­tu­nate­ly noth­ing annoyed me about this one, so I was able to read it. It’s a wee bit hack­neyed, but a bit sweet, too. It’s sort of like when you hear a song and you know how the melody is going to go because the chords and the melody pro­gres­sion already feel famil­iar. I might check out more of Cor­nel­l’s work, but it won’t be at the top of my to-read list.

On the oth­er hand, “Valen­tine Blues” left me tru­ly hun­gry for more of James A. Hunter’s work, and want­i­ng to read more about Yan­cy Lazarus right now. This minute. Not soon, NOW. Lazarus is a trav­el­ing blues man with some inter­est­ing tal­ents who takes an inter­est in the very strange behav­ior of the young peo­ple in Valen­tine, Nebras­ka. You can find the most inter­est­ing things on the road! I will most def­i­nite­ly be read­ing Strange Mag­ic: A Yan­cy Lazarus Nov­el, the first book in this series, SOON.

I know that I’ve read some­thing about Craig Schae­fer’s Daniel Faust series some­where before, but I’ve nev­er actu­al­ly read any OF the series until “A Dri­ve in the Coun­try.” It’s set in and around Las Vegas. I have no idea where in the time­line of the series this par­tic­u­lar sto­ry is set, but it’s well-writ­ten. It pulls you into the grit­ty, noir world of gang­sters plus mag­ic and makes you feel the dark. If that’s your thing, Schae­fer­’s your man.

New York is the set­ting for Pip­pa DaCos­ta’s “Chase the Dark,” set in the world of her Soul Eater series. I am high­ly intrigued, as I don’t believe I’ve ever run into an urban fan­ta­sy series that draws upon Egypt­ian mythol­o­gy the way DaCos­ta is here. The name of the main char­ac­ter, though, Ace Dante? Even though it’s obvi­ous­ly an assumed name, it’s ter­ri­ble. I hate it. I’m jarred every sin­gle time my eyes come across it on the page. It kept pulling me out of what was oth­er­wise a real­ly good sto­ry, and is mak­ing me won­der whether or not I can han­dle read­ing Hid­den Blade, the first book in the series.

Now that I’m fin­ished with the book, I can’t help but notice a few things. There was­n’t a sin­gle main char­ac­ter that was female, and while it’s pos­si­ble that Cis­co Suarez is a per­son of col­or, his cul­tur­al back­ground was­n’t made clear in Finn’s sto­ry. If any of the oth­er pro­tag­o­nists were POC, that was­n’t obvi­ous (I’m not sure what to con­sid­er “Ace Dante.”) I’m pret­ty sure all these men were cis­gen­dered and het­ero­sex­u­al, as well. I don’t think it’s too much to ask that there’s a lit­tle more diver­si­ty in such a vol­ume.

All in all, a decent col­lec­tion of sto­ries and a nice intro­duc­tion to some new authors, but a dis­ap­point­ment in some impor­tant respects.

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I’m an Old­er Woman. My 50th birth­day is fast approach­ing. No mat­ter what I do with my résumé, it is pret­ty obvi­ous that I’m not a mil­len­ni­al. That is who is tru­ly desired, it seems, by the tech star­tups that I pre­fer to work with.

Oh, the job post­ings don’t come out and say that they don’t want old peo­ple, but the key­words are there?. “Fast-paced,” “high ener­gy,” and “dynam­ic!”? They all whis­per, at least, that “we only want young peo­ple!”

This isn’t just my impres­sion, but the con­sen­sus among var­i­ous peo­ple I’ve spo­ken with. It prob­a­bly isn’t inten­tion­al, but the bias is there and the ageism is felt. So I want to address some things that seem to be missed by the “we want young peo­ple!” folks.

First, there are plen­ty of mature work­ers who can keep up with that “fast pace” you describe. We know our­selves, our bod­ies and our oth­er com­mit­ments. We have the expe­ri­ence it takes to judge whether or not we can com­mit to start­up life. I’ll be hon­est: I don’t think many young peo­ple can match that lev­el of self-knowl­edge. I know that when I first worked for a start­up, back in 1995, I didn’t have any idea how much ded­i­ca­tion it would require.

Sec­ond, old­er work­ers bring a life­time of expe­ri­ence in many dif­fer­ent areas, and that expe­ri­ence is brought to bear in our work­ing lives in ways that younger work­ers sim­ply can­not match. For instance, I don’t have the admin­is­tra­tive work I did decades ago on my résumé, as it isn’t direct­ly rel­e­vant now. How­ev­er, that expe­ri­ence shaped me and gives me the abil­i­ty to bet­ter relate to non-tech­ni­cal peo­ple as a sup­port professional.Younger peo­ple don’t have that kind of added val­ue.

The aver­age old­er work­er has been out of school and their par­ents’ homes for a long time, mean­ing that they have expe­ri­ence man­ag­ing their own finances and house­holds inde­pen­dent­ly (or with life part­ners). That gives us a cer­tain respect for the val­ue of mon­ey and time that noth­ing else does. How much of that expe­ri­ence does some­one right out of school have?

Most old­er work­ers are also post-par­ent­ing. Their kids are grown and rea­son­ably inde­pen­dent (whether out of the house or not), so they aren’t going to be jug­gling preg­nan­cies, soc­cer prac­tices, and music lessons that will impact their work lives. Grand­chil­dren? Yes, some of us have them. Being a grand­par­ent is, how­ev­er, a far less time-con­sum­ing com­mit­ment for most peo­ple than being a par­ent.

Final­ly, there’s noth­ing else that beats matu­ri­ty for giv­ing you a calm tem­pera­ment. Some peo­ple are born with them, but on aver­age, it’s eas­i­er for some­one with 30 years of pro­fes­sion­al expe­ri­ence to put one bad day into per­spec­tive than it is for some­one with a few months or years of work­ing under their belts. (I know there are excep­tions to this, as to every rule, but Don­ald Trump prob­a­bly isn’t apply­ing to work at your start­up.)

The next time you get a résumé or appli­ca­tion from a Baby Boomer or Gen X’er, then, please take these fac­tors into account. Con­sid­er their tech­ni­cal skills, cer­tain­ly? (and don’t assume that they’ll be out­dat­ed) ?but weigh their matu­ri­ty on the pos­i­tive side of the scale, for a change.

(Orig­i­nal­ly pub­lished at Medi­um)